Color temperature, tint and hue can be continuously adjusted from 2,800 K to 10,000K, between full plus or minus green and RGBW colors.

The Arri L5-C addition to the L-Series perfectly complements the L7, allowing for more mobile lighting and a wider range of power classes for television studios. Its compact size and low weight allow the L5 to be rigged in tight places and hung from low ceilings. The L5 is also ideal for cramped location shoots and interview setups. Low heat allows safer and more comfortable shooting conditions. This versatility and superb light quality make the L5 a highly anticipated addition to the award-winning L-Series family.

New features available on the L5 include a powerCON power connector and an on-board battery input that permits industry-standard batteries to power the L5 without any sacrifice in terms of features or light output. The resulting increase in portability opens up whole new application areas, giving productions with the L5 the tremendous freedom to move and work fast.

The L5 is approximately 45 % brighter than a 300 W tungsten Fresnel, but only consumes 115 watts. When compared to the L7, the L5 is half the weight and size.

STAND-MOUNT
versions include the following base configuration: 16 mm / 28 mm Combo Pin (Baby 5/8″ / Junior 1-1/8″ Combo Pin), Inline Switch, Integrated 5-Pin DMX In and Thru.

HANGING
versions include the following base configuration: 16 mm / 28 mm Combo Pin (Baby 5/8″ / Junior 1-1/8″ Combo Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

POLE-OPERATED
versions include the following base configuration: Pole Operation for Pan, Tilt and Focus, 16 mm / 28 mm Combo Pin (Baby 5/8″ / Junior 1-1/8″ Combo Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.